A few years ago my parish had what you could call an old but orthodox priest who had had the fight knocked out of him. When our first daughter was born he was less than pre-disposed to the notion of good liturgical music when I asked if I could bring my friends to a Saturday rite of baptism and sing some chant and polyphony. He agreed, but only reluctantly after I threatened to go to the Bishop.
His health was poor and he retired soon after to be replaced by a priest who was a former Anglican vicar. The new PP, while not being familiar or versed with Latin, was more open, more willing to encourage me to come to the parish and be part of it’s life as opposed to seeing me as trouble. He also has a fine understanding of a choral tradition as at least in most quarters the Anglicans have retained it.
As my second daughter was baptised in August and the Cathedrals have that month off from musical services, I had a few friends who are lay clerks at Westminster Cathedral and St Albans come and sing. We had chant and polyphony, and as we rehearsed word got out and the parish turned up. It was lovely to have them there.
The PP was open to persuasion. I persuaded him to let me put a choir together and sing vespers last year. It was a lot of work, but largely successful. This year I persuaded him to let me loose on a Sunday mass.
For Christ the King this year the choir I put together sung the full Latin Introit, Byrd’s Mass for 4 voices, a psalm from the Chabanel psalms that the congregation could join in with the responses, a simplified alleluia, Tallis’ If ye love me, and Bairstow’s Let all mortal flesh keep silence along with the communion antiphon.
The church was packed. I noticed 2 young couples present themselves kneeling for communion. There were silences where silence was appropriate. Mass was, well mass.
To add some context to this the “choir” of the parish sings the usual 4-hymn sandwich and when I suggested some time ago trying some of the simple propers or even a Kevin Allen motet I was told that 2 members had refused and wanted to sing a “Carribean Our Father” instead. The organist would love to try a Missa de Angelis, and on the odd occasion when the choir are absent I’ve chanted the Sanctus with no wild objections from the congregation. but personality politics does come into play. However, following the choral Mass, the following week the choir did sing a simple Latin motet. You cannot underestimate what a seismic shift this was.
You see, it just takes an open minded priest, a little effort, and planting the seed in people’s minds as top what is possible. The parish won’t be going to a full weekly Mozart Coronation Mass in the EF, but a packed church heard chant sung in its proper context, and having heard it and appreciated it, the seeds have been sown for the future. The walls that have been built up against chant and polyphony in the Mass by the three decades have been broken down in the parish and they have had a glimpse of what could be.
I’m encouraged by the words of our past Holy Father, Venerable Pope John Paul the Great: “Be not afraid!”
Congratulations, Keith. What part of the country are you in?
Congrats. This is the way to do it.
I'm in the diocese of Northampton.
Brick by brick, congratulations!
When confronted with authenticity, only the truly contumacious, hardened, liturgical "progressive", cannot handle it. Most Catholics appreciate beauty. Congratulations!
I'm pleased to read of this happening in your part of the Northampton Diocese, Keith, and that you have benefited from the support of PP and friends. We have had a similar experience in our part of Southwark, where a number of priests have been happy to encourage use of the Church's own particular music, and a network of singers, directors and organisers support each other across and beyond individual parishes. Mutual support is useful and encouraging.
Sigh, if only we could do this in our parish! But Haugen-Haas rules strongly here, as we "Sing A New Church" into being (sigh).
Hang on in there, Anonymous. I once would have written as you have (and indeed, did), but the opportunities arose, as they did for Keith. The winds of change are stirring.
Keith, in another corner of Northampton diocese (to which I have recently moved) the PP last Sunday delivered a wake-up call the like of which I have not heard from a Catholic pulpit in decades. Regarding the Mass he made the following points. The new translation will be a great improvement precisely because it is a more literal rendering of the Latin. The current one does not do enough to foster reverence. We must learn anew how to pray the Mass, which means unlearning the bad habits of the last 40 years. Gregorian Chant will return.
It is a little Victorian church, nicely decorated inside with a real Catholic "feel". When I offered to run the schola for them they were delighted.
John
Then you must keep me informed and let me join you in singing when the opportunities arise!