Thanks to Chuck Giffen to help me find this!
Ubi Caritas – Stephens
Are You Actually Participating at Mass?
I recently saw this video shared on social media, and found the caller’s view quite similar to the views held by many people. I think Father Gismondi does a great job of explaining the situation more fully, in particular, the distinction between active participation and actual participation.
Why is this our Opening Song? How the Propers Integrate into the Liturgy
Guest post by Fr. Jeffrey Keyes, pastor of St. Edward Catholic Church in Newark, CA
The newer simpler version of this chant by Adam Bartlett |
The Entrance Chant is like a door opening onto the Mystery. It begins as the priest and other ministers enter the church. The Entrance Chant sets the celebration of Mass in motion; it fosters unity; it expresses something of the feast or season being celebrated. The Entrance Chant accompanies the procession of the priest and ministers into the sanctuary and generally will not end until after the priest arrives at the chair.
Apart from a very few exceptions, the Entrance Chants of the Mass are drawn from the Bible, usually from the Book of Psalms. The great majority of these Introits or Entrance chants are from the Old Testament, because most of them were set in place in the Liturgy before the New Testament even existed. This means we are praying prayers and singing melodies that the early Christian Martyrs would have sung and some of these chants were sung in the temple during and before the time of Jesus. It is significant that Mass opens with God’s word addressed to us. Already in the Entrance Chant it is God who comes out to meet us. The text of the Introit is harmonized with all the other variable prayers of the day so that the idea of the feast or the thought of the day pervades the whole Mass.
At the 10:00am Mass the Introit is sung in Latin to the ancient melody. The text and translation are provided for your prayerful reflection but you are not expected to sing. There is much that is more important that can be happening at this moment. For whom are you offering the Mass? What sacrifice are you offering to join with the sacrifice of Jesus? Often people will bow when the Book passes by. The Word of God enters to greet you and you pay your respects. Often people will bow when the priest goes by. This is not because they like the priest, but they recognize he stands in the person of Christ at this Mass. At the other English Masses a modification of the ancient melody is sung with an English translation. This is to enable you to sing along if you wish, but you could easily be involved in the activities previously mentioned.
The ancient melody that the chant above is based on |
At Mass we are in the company of our Lord by faith. We want to live in Him so that we may live like Him and die with Him and rise with Him.
Truly actively participating in Mass, means actively seeking to identify ourselves with Christ, who is hidden in the Sacred Host. We, hidden in the world, pay attention to the words of the liturgy which are a mirror of the soul of our Lord, as he offers himself to the Father. It means adopting his state of mind as far as we are able, in order to be able to leave Mass with a will that is more apt to imitate Christ in reality.
The liturgy comes with an invitation and a challenge. Today in the Entrance chant we hear that God is in his Holy place, that he unites those who dwell in his holy place. He gives might and strength to his people. Then in the Gospel we hear that the farmer finds a great treasure in the field. He sells all he has to buy that field. Will you?
This is how you pray the Introit or Entrance chant. Based on the strength that he gives you, will you be able to do his will? Will you be able to do what he asks?
If you are still paying attention to the superficial stuff, the flowers, the music, the priest, and even the homily, chances are you are not paying attention to what the Mass calls forth from you. When you entered the church this morning, if you are doing anything besides what was mentioned above, you came to a social gathering of friends, but you did not come to encounter the Lord in the Sacred Mysteries.
Magnificat Monday – Victoria, with Cardinal Burke
Colloquium 2014: Positive Reactions!
Horst buchholz directing Victoria’s Requiem |
This year was my first colloquium, and I ABSOLUTELY LOVED it. I met so many new people, made lots of new friends, and met several of the other Café authors too, including Adam Bartlett, Mr. C, Jenny Donelson, Fr. Smith, and lots of other people too from the MusicaSacra Forum. I learned so much from the breakout sessions, and singing chant under the skilled Scott Turkington for the whole week. But I’m not the only one! Many other attendees had great things to say about it as well!
Tommy Myrick, a fellow cantor of mine during the Colloquium in Scott Turkington’s Schola had, among other things, an interesting reflection that struck him during one of the Colloquium liturgies.
On this day, it sunk in why the Church has to be something not of this world. Outside there was loud music (which could be heard inside the church), the hustle and bustle of this fast paced world, and hundreds (if not thousands) of souls wandering here and there. In the midst of this modern chaos, we who were attending the Colloquium were assembling to take part in Holy Mass. Here, we had stepped out of time and space to be with our Lord in the Holy Eucharist. It was not like anything you could find on the streets of Indianapolis at the time.
Fr. James Bradley, who speaks about his experiences in learning more about liturgical music, and his great experiences. Fr. Bradley also wrote more about his experiences here and here in other posts on his blog.
Jeffrey Morse’s daily solfège warmups Last week’s CMAA colloquium, I think, provided a number of key ways to implement this sound principle in an authentic way. First, we know that liturgical paradigm articulated by the CMAA could be well described as ‘sing the Mass, not sing at Mass’. This is something that has been spoken of before by Monsignor Andrew Wadsworth regarding the revised English translation of the 2002 Missale Romanum, and it is a principle that we should take very seriously.
In the chanting of the proper texts and, where possible, according to the proper chants, the faithful participate at a deeper and more profound level in the liturgy of the Church, than when the prescribed liturgical texts are supplanted by hymnody or, even, silence. I am yet to be convinced by any argument that prefers non-biblical texts at any point in the Mass, over those antiphons and psalms that flow from sacred scripture and which have been an integral part of the western liturgy for hundreds of years.
Fr. David Friel, one of the bloggers at CCW, also wrote about his great experiences in Indianapolis, specifically one of the breakout sessions session given by one off my new friends, Charles Cole, on chant harmonization:
Charles Cole’s chant harmonization breakout session |
Yesterday, I chose to attend the breakout session led by Charles Cole in Christ Church Cathedral. The topic was how to accompany chant on the organ for which Charles gave us a number of “rules” to follow. He also acknowledged that not all of these rules must always be strictly followed.
First among the “rules” is the need to stay within the notes of the scale pertinent to the mode. Also, as in all composition, parallel octaves and fifths are to be avoided. Perfect cadences are not advisable. Registration and harmonization, we were taught, ought to serve the melody and text (which are always paramount in chant), striving to remain unobtrusive. It seemed to me that the underlying thrust of the presentation was this: a skillful organ accompaniment can actually help to reveal facets of modality within a particular chant.
Father Friel wrote several posts about his experiences that you can find in 4 parts: I II, III and IV.
Were you there? Did you enjoy it? Share your experiences below too!
Magnificat Monday – Howells
This week we have another anglican submission, by Herbert Howells.