Colloquium Day 3: All Together

Before I write about Wednesday, let me follow up with a little more information about events that took place on Tuesday:

Thanks to Joel Morehouse (of the Setnor School of Music, Syracuse) for posting additional photos of the Mass at St. John the Apostle Church (the pro-cathedral) at our sister site New Liturgical Movement, where Joel is also a contributor on parish music and liturgy.

At the CMAA members meeting on Tuesday, general manager Janet Gorbitz announced that the 2017 Sacred Music Colloquium will be held in St. Paul, Minnesota, from June 19 to 24, and one of the Masses will be offered at the historic St. Agnes Church in remembrance of Monsignor Richard Schuler, the long-time pastor and musician, co-founder of the CMAA, and editor of the journal Sacred Music.

In addition, Janet announced that registration is open for CMAA’s 2017 Winter Sacred Music event, to be held at the Cathedral of St. Paul in Birmingham, Alabama next January.

On Wednesday, Christ Church Episcopal Cathedral in St. Louis opened their doors and their organ loft to Prof. Ann Labounsky (Duquesne) who presented a breakout session on repertoire for pianists making the transition to the king of instruments:

And here is a view from the transept of Christ Church Cathedral:

At the end of the afternoon, Holy Mass at the Shrine of St. Joseph:

After Holy Mass, colloquium attendees came together in front of the Shrine for a group photo:

(Photo credits: Rene Zajner)

Colloquium Day 2: Let’s get started

Some glimpses of Tuesday at the Colloquium:

After morning prayer and breakfast, the first session is a chant rehearsal:
at the men’s schola session taught by Wilko Brouwers,
the curve of a neume on the paper is echoed by its counterpart outside.

In Tuesday’s plenary address,
Dr. Mahrt describes the “musical shape” of the liturgy.

Colleen Crafton from the Ward Center in Richmond, VA
brought her own choristers (!) to demonstrate a Ward Method lesson.

Photographer Rene Zajner listens in
as David Hughes (of St. Mary’s, Norwalk) and some colloquium participants
try out new compositions the latter have brought.

Scott Turkington (and his double, through the looking-glass)
present a session on conducting polyphony.
As the polyphony rehearsals begin,
Charles Cole from the London Oratory School
brings the motet choir together with some exercises.

And after that session, it is time to put things into practice, to sing for Mass at the Pro-Cathedral of St. John.

Horst Buchholz (our host this week at the Cathedral Basilica of St. Louis) directs the Mozart choir in Tallis’ This is my commandment:

And with Holst’s famous tune, the Mass is ended.

[UPDATE: Joel Morehouse has additional photos of the Mass and information on the music presented at our sister site New Liturgical Movement.]

Colloquium Day 1: Greetings and Felicitations

The 26th Sacred Music Colloquium of the Church Music Association of America began Monday evening in St. Louis. At the City Center Hotel, participants enjoyed a festive reception and dinner and were welcomed by chaplain Rev. Robert Pasley, the rector of Mater Ecclesiae Church in Berlin, NJ; and by our president, Prof. William Mahrt (Stanford).

The evening was made complete by a concert at the City Library, presented by Pro Arte Saint Louis, the early music ensemble conducted and co-founded by CMAA vice president Horst Buchholz.

(Photo credit: Rene Zajner)

Save $50 – Register by March 1st – Colloquium

REGISTER ONLINE NOW

If you register and pay in full by March 1st, you’ll receive Early Bird tuition rates for this summer’s Church Music Association of America Colloquium. The Colloquium is to be held in St. Louis, MO, at the St. Louis City Center Hotel, June 20 – June 25, 2016.

CMAA members are entitled to a member discount. Not a member?

JOIN THE CMAA 

Three Great venues: the Cathedral Basilica of St. Louis, the Shrine of St. Joseph, and Pro-Cathedral of St. John the Evangelist and Apostle.

Are you a composer? Plan to participate in our New Music breakouts with David Hughes.

Sing Mozart, Palestrina or a variety of motets in your chosen polyphonic choir. There is also a beginning polyphonic choir again this year, which will sing a motet later in the week. See all the details and begin making your choir selections now.

NEW! Repertory Listing Uploaded to our Website!

For more information about the repertory, schedule, accommodations, faculty, plenary speakers and more, visit our website at: http://musicasacra.com/colloquium

To register by mail now, download a registration form and send it to us at: CMAA, PO Box 4344, Roswell, NM 88202.

If you have questions, please contact us at programs@musicasacra.com. 

Is the Youth of Today Necessarily “Modern Man”?

We have another great testimony about the importance of the Colloquium, and how it affected Dr. Peter Kwasniewski as he attended this year.

Recently my son and I participated in the Sacred Music Colloquium XXV of the Church Music Association of America, held at Duquesne University in Pittsburgh. As with the Sacra Liturgia 2015 Conference, a large portion of the participants were young adults who love beautiful music that is obviously sacred in its stylistic qualities, cultural associations, and avowed liturgical purpose.

[…]

At Sacra Liturgia 2015 and Colloquium XXV, one sees ample evidence that we are turning a corner. The rebels of yesteryear look embarrassingly old-fashioned, and the youth who still want to practice their Faith need more, desire more, and deserve more than the Church’s hierarchy has been willing (or even able?) to give them until now. And these young men and women are figuring out how to find their way back to the Tradition, in spite of all obstacles, detours, traps, and poor signage. This movement—this hunger for Catholic Tradition—cannot be stopped. But it can be somewhat delayed by obstructionists or actively promoted by shepherds who care for the eternal destiny of their sheep.

Continue over at NLM