Anthony Esolen indicts pop Church music, for excellent reasons.
The implicit message of such music is that the worship of God is just like everything else: putting the moves on a girl at a drinking party, chilling out with college friends in the wee hours, selling a fashionable automobile, advertising a soap opera. We have enough and more than enough of that already. We need far more, and other. It’s as Aidan Nichols puts it, in Looking at the Liturgy: “Rites that do not allow a sense of distance deny to the people, paradoxically, a means of appropriating the act of worship, crippling them just at the point where they could be taking off Godward by a leap of religious imagination. For liturgical actors, though presented within a social frame, have to convey properties of what lies beyond that frame, a rumor of angels.”
Plenty more here.
