Another Great Lecture in DC: Church Architecture since Vatican II

The School of Canon Law at The Catholic University of America, Washington D.C., has announced that this year’s Frederick R. McManus Memorial Lecture will be given by Professor Duncan Stroik on the subject of ‘Church Architecture since Vatican II‘. The lecture, which is open and free to the general public, will be given at 4pm on Thursday 30 October 2014 in Caldwell Auditorium on the university campus. A reception will follow.

Duncan G. Stroik is a practicing architect, author, and Professor of Architecture at the University of Notre Dame. His award-winning work includes the Our Lady of the Most Holy Trinity Chapel in Santa Paula, California and the Shrine Church of Our Lady of Guadalupe in LaCrosse, Wisconsin.

A frequent lecturer on sacred architecture and the classical tradition, Stroik co-edited Reconquering Sacred Space and has recently authored The Church Building as a Sacred Place: Beauty, Transcendence and the Eternal. Mr. Stroik is an inaugural member of the Society for Catholic Liturgy and founding editor of Sacred Architecture Journal.

He is a graduate of the University of Virginia and the Yale University School of Architecture.

For more information please contact 202-319-5492 or email cua-canonlaw@cua.edu.

I also wrote about Duncan Stroik recently, as you can find here. As someone who has been in a church Duncan has designed, I can attest to his skill and sense of beauty.

Update on Jernberg’s “Mass of St. Philip Neri”

Some readers were interested to find out when scores and CDs will be available for Paul Jernberg’s Mass of St. Philip Neri, which I mentioned on this site a few weeks ago, along with an audio sample.   Paul writes:

  • Many heartfelt thanks to those who posted such kind comments about my music. I just discovered these a few days ago. Your words of appreciation touch me deeply and give me much encouragement!!! 
  • J. Michael Thompson, director of the Schola Cantorum of St. Peter the Apostle, asked me to remind everyone that this setting of the Ordinary is intended not only for choirs, but also and primarily for congregations. In fact, we have had wonderful congregational participation in singing the melodies of this setting in the parishes I have served here in Massachusetts, from both adults and children. 
  • The CD and Score are now available for purchase at our website, pauljernberg.com. The CDs were delivered a few weeks ago; the scores are scheduled to be ready from the publisher in a few days, on Monday, October 13. Any inquiries can also be addressed to cathedralchoirschool at gmail.com.

Renewal: Part II

The word RENEWAL in conjunction with Catholic Sacred music may likely include three definitions:

 1) “the action of extending the period of validity of a license, subscription, or contract.”
 2) “an instance of resuming an activity or state after an interruption.”
 3) “the replacing or repair of something that is worn out, run-down, or broken.”


In our modern age, we are constantly bombarded with licensing, a vast majority of American parishes subscribing to annual or quarterly liturgical resources for the pew and choir.   Perhaps it is the allure of having something new, year after year, that leads many to think that this form of Sacred Music is ‘renewal’?  Yet, the notion of Sacred music as property to be purchased, often yearly, to fulfill a legal contract is certainly at the heart of our present state of liturgical music and its need for improvement.

With a mind toward restoration, we find that the music of the past several decades has done more to divide, causing a deep-rooted selfishness, especially with the insertion of popular secular styles into Sacred space.

Rather than extend our yearly contract to pay for church music, we should make a renewal of the mind, in constant conversion to our Father’s Divine Will, following Mother Church.

Finally, upon recognizing our need for spiritual rejuvenation, we can mend our broken “pleasing-ourselves-mentality”, and sing with the Saints and Angels in the Heavenly and timeless Banquet, the source and summit of our faith: the Sacred Liturgy.

“Gregorian chant, as proper to the Roman liturgy, should be given pride of place…”

Does your choir/schola chant?  Use a Graduale?  Do they even know it exists?  

Renewal: Part I


Renewal.  We all want it, but what does it mean?

There were many movements, especially in the 1980s and 90s, infatuated with this concept of “making all things new.”  Magically, felt banners proclaiming: “RENEW” and so-forth somehow were supposed to enrich and enliven.

Now, 30+ years later, we ask, were these “ministries” an embodiment of true liturgical renewal, or simply a fuzzy fad?

Certainly God makes all things new.  Although God is often purposefully mislabeled, with references to Jesus as “I” and “you”.  Instead “We” became important, as so many disposable subscription pew books and hymnals continue to propose:

We Are Called
We Are God’s People  
We Are Known and Not Unnumbered
We Are Many Parts / Muchos Miembros Hay
We Are Marching / Siyahamba
We Cannot Own the Sunlit Sky  
We Come to You for Healing, Lord
We Glory in the Cross
We Have Been Told
We hold the death of the Lord
We Praise You, Lord, for Jesus Christ 
We praise you, we praise your holy 
We Remember
We should glory in the cross 
We Sing Your Praise, O Christ 
We Three Kings of Orient Are 
We Walk by Faith
We Walk His Way / Ewe, Thina
We Will Walk with God / Sizohamba  

Departing from the failed attempt of an egocentric view, one is instead reminded of Pope St. Pius X’s motto on the same, but Christo-centric holy theme:

Instaurare Omnia in Christo (To Restore all things in Christ!)

This is true RENEWAL!  Christ centered. Christ needs to return to the center of our renewal.  With this in mind, we can turn toward a true understanding of the term, by analyzing the definition and practice…

Do you still see felt banners, figuratively and/or literally?  

Missio- random thoughts

Spoiler alert: this article amounts to nothing but extemporaneous thoughts…..
Some who frequent here may recoil, others might think “Uh oh, he’s off his meds again!” Others will wander through and exit with a quiet “Ho hum.”

Reverend Father David Friel composed a lovely, tender yet powerful article about how all God’s singers are definitely not created equal, and many of whom gravitate towards church choirs who are clueless to that reality. His advice reflects a wisdom that his boyish visage betrays. Good priest, this Fr. David! He offers some very pastorally sound advice upon how we choirmasters can make the best of our often meager talent pool, and with utmost charity and dignity still work towards preserving the integrity of the choir and its art in a musically impoverished era. His article spurred a great deal of reflection within me about who we choirmasters are and how we go about our business.

Here I offer some of those occuring thoughts-
*Choirs are figuratively (and in Vivaldi/Mozart’s day quite literally) hospitals for minds, souls, hearts, egos and voices who are afflicted with either a talent they earnestly want to share with God and the people who worship Him, or some who have a portion of their being absent, or discomfited by some psychological or emotional desire to fill that hole by becoming part of a whole that is about wellness, progress, healing and success. Others are simply like the young prince in Monty Python and the Holy Grail who simply cries out, “But Father, I just want to SING!” Singers can’t help themselves most of the time in that way. So, what does that make directors? Both doctor and nurse, orderly and chaplain, social worker and CEO, an unknown visitor and a comforting friend.

*Choir directors of church ensembles have immense gravitational pull and power. As celestial objects, we come in all sizes, varying constitutions and often with purposes and behaviors that can both attract and detract, sometimes simultaneously. We can be the Sun in spring and autumn, or a dark star in death throes that pull others into spirals that end in disaster eventually. I think that if we try to remember to “come down to earth” (still a celestial object) we can emulate earth’s relationship to both the star which is the sun and the perfect, all encompassing light of the Son. We are in harmony with our solar system, both inwardly and with those folks who gravitate with us.

*We must be emissaries, ambassadors and advocates of the Gospel of Jesus Christ, Himself the primordial Logos. This goal is no small feat. We need to intimately know the breadth of Holy Writ, and the vast body of texts and musical settings, that when truly married, will deliver the import of scripture readings that Holy Mother Church with the guidance of the Holy Spirit over centuries has parced into elegant tapestries that will inspire us to take the Word into our daily lives every waking hour. Even moreso, our well chosen song helps us become those tapestries for others to see and hear. For those who, for whatever reason, do not hear the lessons fully, who cannot enable us via homilies experience the “deep, deep down freshness” of our Sunday and Office readings, we can awaken the slumbering and wandering mind and heart with the well-chosen song, a Proper song, a blossoming lyric born from the Word, replete with melodies, harmonies and forms worthy of that task.
Perhaps this last analogy remains the most challenging for “directors (what a dry term!)” God is love, and love is at all times, even harsh times, beautiful as well as everlasting. Only by being faithful messengers enlivened by Grace are we then able to sing “Lord, Your Love is everlasting, do not forsake the work of Your hands.”