Hymn to St. Anne

The morning star is on the rise
And soon the dawn will fill the skies,
Foretelling of the coming Sun
Whose light will shine on everyone.

The Sun of justice, Christ, true Light,
And Mary, grace’s dawning bright,
And Anna, reddening the sky,
Have caused the night of Law to fly.

O mother Anna, fruitful root,
From you came your salvation’s shoot,
For you brought forth the flow’ring rod
That bore for us the Christ of God.

Christ’s mother’s mother, by the grace
Your daughter’s birth brought to our race,
And by her merits and her prayer
May we her favors come to share.

O Jesus, Virgin-born, to You
All glory is forever due.
To Father and the Spirit, praise
Be sung through everlasting days.

trans. c. 2009 Kathleen Pluth. This text may be used freely on July 25-26, 2019. All other rights reserved.

Latin original:

Nocti succedit lucifer,
Quem mox aurora sequitur,
Solis ortum praenuntians
Mundum lustrantis lumine

Christus sol est iustitiae,
Aurora Mater gratiae,
Quam, Anna, praeis rutilans
Legis propellens tenebras

Anna, radix uberrima,
Arbor tu salutifera
Virgam producens floridam
Quae Christum nobis attulit

O matris Christi genetrix
Tuque parens sanctissime
Natae favente merito
Nobis rogate veniam.

Iesu, tibi sit gloria,
Qui natus est de Virgine,
Cum patre et almo Spiritu,
In sempiterna saecula

Clericalism and preaching

Apparently there is one of those tired ole envelope-pushing debates going on about women and preaching.

Apparently some would like women to preach at Mass. And I can only wonder why.

It seems the height of clericalism to suggest that preaching at Mass, which is reserved to the ordained, is a role to be coveted by those who are not ordained.

What is at stake? Doesn’t a lay person have many opportunities for preaching in daily life? Evangelization is not reserved to Mass, is it?

But perhaps this is not about evangelization. Quite possibly it is political.  It is most likely about making incremental changes leading to the toppling of structures. In which case it’s an anti-clerical cleralism, ironically devaluing the real accomplishments of lay people in the name of iconoclasm.

Personally I find Mass refreshing because it’s one of the few hours of the day when I can’t preach. There is so much to do for the Church and the world that one could preach all day and never fulfill the task. I find it’s helpful and rejuvenating to take that little break of listening, so beautifully tied to the Eucharist, because faith comes through hearing.

 

 

Circuibo

I have gone round, and have offered up in his tabernacle a sacrifice of jubilation: I will sing, and recite a psalm to the Lord.

The Lord is my light and my salvation, whom shall I fear?

Colloquium Mass Audio: July 3: Feast of St. Thomas, Apostle

On the third day of the CMAA Sacred Music Colloquium, Fr. James Richardson offered Mass in the Ordinary Form on the feast of St Thomas the Apostle, at the Cathedral Basilica of Ss Peter and Paul in Philadelphia. The Latin propers were sung with Gregorian Mass IV; among the the motets sung were Quia vidisti me, Thoma by Hassler, Mitte manum by Isaac and O salutaris hostia by Anerio. Organist Michael Garrepy performed works by Mendelssohn and Bach. Photos by Charles Cole are on-line at New Liturgical Movement, and here are audio excerpts:

1. Prelude: Mendelssohn: Op. 37, Nr. 2 (partial recording)

2. Processional

3. Introit: Mihi autem

4. Kyrie, Mass IV (Cunctipotens genitor Deus)

5. Gloria IV

6. Gradual: Nimis honorati sunt

7. Alleluia: Gaudete justi

8. Credo III

9. Offertory: In omnem terram

10. Hassler: Quia vidisti me

11. Sanctus IV

12. Pater noster

13. Agnus Dei IV

14. Communio: Isaac: Mitte manum tuam

15. Anerio: O salutaris hostia

16. Bach: Kyrie (Gott Heiliger Geist), BWV 671

Dom Alcuin Reid on “liturgical integrity”

On Wednesday, July 3, liturgical scholar Dom Alcuin Reid, prior of the Monastère Saint-Benoît in the diocese of Fréjus-Toulon, France, gave the second plenary lecture at CMAA’s Sacred Music Colloquium, at the Cathedral of Saints Peter and Paul in Philadelphia. His talk on authority in liturgy recalls the teaching of Pope Pius XII in Mediator Dei that

“Liturgy is a constitutive element of the holy and living Tradition.” The liturgy, the liturgical rites themselves, are an intrinsic part of the handing on of the faith received from the apostles. They are not mere decoration or ornament. The rites and prayers that have developed in the life of the Church are sacred vessels which bring apostolic tradition to us. Thus they are privileged sacramentals worthy of profound respect.

That is why Catholic liturgy is sacred. That is why Catholic liturgy is not that which any individual or group ‘likes’ to do, but is what we do ecclesially, in accordance with what is handed on to us in tradition. That is why the Sacred Liturgy enjoys a theological objectivity and cannot be altered without the greatest of prudence and due proportionality.

Against a subjectivism that would make the liturgy depend on “whatever the priest wants” or whatever this or that particular pope wants, according to personal opinions, Reid proposes principles of “liturgical integrity”. A text of his lecture appears in Catholic World Report.

First audio from the Colloquium: Tuesday, July 2

Here are some sample recordings from the Sacred Music Colloquium held in Philadelphia this month.

Tuesday, July 2

In the morning, Sr. Maria Kiely, OSB, an instructor in Greek at the Dominican House of Studies in Washington, presented a talk on the six vesper hymns long associated with the name of St. Gregory the Great: Lucis creator optime, Immensae caeli conditor, Telluris ingens conditor, Caeli Deus sanctissime, Magnae Deus potentiae, and Plasmator hominis Deus. The themes of the six hymns reflect the unfolding of creation in the six days of the Genesis account. (approx. 60 min.)

Tuesday afternoon, after the first rehearsals of the various choirs that formed for the week, a votive Mass of the Holy Angels was celebrated in English. Here are a few excerpts (please note that these are my amateur recordings, so there is incidental noise):

Procession (improvisation by Michael Olbash, organ):

Introit (plainchant by Fr. Samuel Weber, OSB):

Responsorial Psalm (George Elvey, arr. Mahrt):

Communion (plainchant by Fr. Samuel Weber, OSB):

Motet (Richard Farrant: “Call to Remembrance”):

Motet (Richard Terry: “Richard de Castre’s prayer to Jesus”):

Postlude (Bach: “Fantasia in G”, BWV 572)

Repertoire for the Colloquium Masses