The Missa Papae Marcelli by Palestrina, sounding much improved.
The Musical Shape of the Liturgy, William Mahrt
Everyone who loves Catholic liturgy is deeply in debt to William Mahrt, president of the CMAA and the godfather of the contemporary revival of chant. It’s perhaps the first time that this has been said outright, but let’s face it: this is what’s true. He brought to the effort an stable temperament, a broadness of mind, a persistence and a willingness to work for unity, an exceptional musical talent, forty years of experience in conducting chant in his own parish, plus a lifetime of original scholarship to support the effort.
Over the years, he has written fantastic articles (some long, some short) in Sacred Music and other places, and together they amount to what is really a manifesto: The Musical Shape of the Liturgy. It could be about 450 pages (my current estimate). It is a very complex typesetting job, with page after page of musical and manuscript examples. It is going to be very expensive in money and time. However, it is worth it. We need this book. Yes, the articles are available here and there, but the book is the key.
We are moving fast on this and hope to have it out in January or thereabouts. Just so that we are clear: Mahrt is a musicologist with an international reputation. But he is also more than a scholar; he is a practitioner and advocate. He gives voice to what many of us can only intuit, and brings an intellectual weight to the cause that is unmatched. This book will make a critical difference going forward, entrenching the accomplishments so far and preparing the way for a bright future for Catholic music.
If you can help, please consider a contribution. There are two ways. There is the traditional way using the widget below (your contribution is tax deductible). There is also another way: help with extracting texts from PDF scans. This is technical work and a bit tricky but it is essential. If you are interesting in doing this, see this thread on the MusicaSacra.com forum.
Here is the full Table of Contents.
The Children Sing in Sugar Land, Texas
The Work of Unity and Perseverance
A Homily preached on Thursday in the Octave of Pentecost in the Church of the Epiphany, Pittsburgh, by Msgr Andrew Wadsworth during the Church Music Association of America Colloquium XXI, June 23, 2011:
Whether or not we call these days the octave of Pentecost, we find ourselves in the afterglow of that momentous occasion, the reverberation of which is still felt across long centuries, being as it is, the moment when the Church, the Fathers tell us, born from the side of Christ as he is dying on the cross, begins in a very spectacular way its public life and ministry, the magnalia Dei, as we say, in a rather intriguing double sense: the wonders which God does both in and through the Apostles.
During this time, and through the days that lead up to the great feast of Pentecost, the first novena in the life of the Church, when the Church, in its vulnerability, tiny, afraid, is huddled together in the place of the cenacle. The Acts of the Apostles, in its first chapter, records three characteristics of the Church gathered inthat place: it says, first of all, that they were [unanimiter], of one heart; secondly, perseverantes in oratione, persevering in prayer; the third characteristic of the Church, is that she is cum Maria, with Mary.
I would suggest to you that these characteristics which are so emblematic of the Church as she is being born, have in every age been characteristics of the Catholic Church, and are still now discernable characteristics of the same Church.
We sometimes fall prey to the temptation to believe that unity is something which we work hard to bring about. We should work to see a more visible unity among those who call themselves Christian. But unity is a gift and a quality which God bestows upon the Church and our task in proclaiming God’s truth is to work and pray that many are drawn to that unity. The greatest expression of being of one heart is to be of one voice. Surely I am not the only one to have felt during these days that something of the same holy experience has touched our lives. We feel ourselves to be of one heart because we are of one voice. That is as it should be. This divinely ordained characteristic of our liturgical worship is based on a deep-seated truth.
Perseverantes in oratione
Perseverance is not a modern virtue. We live in a world where things are easily disposed of once they outlive their usefulness. We live in a fast-moving world where things do not seem to be built to last. But we worship a God who is unchanging; in Him there is neither shadow of change, or decay. That’s so very hard for us to grasp. Even our physical bodies are evidence of the change and decay that takes place over time, which is so much a feature of our human condition. So as we replicate in our lives that changelessness which is in God, and which He so looks to find in us a little echo of that which is in himself – it is seen in our perseverance; in our sticking to it, regardless of what the discouragement may be, the disappointment, the lack of appreciation, whatever it is that we find that may discourage us – our dogged perseverance, our fidelity, and so often our generosity will win through. Not only will we see a victory for those things that we hold so dear, but in a very real way, for our own salvation, and for the salvation of others. Ours is a praying Church, a singing Church, a believing Church, and a persevering Church.
Cum Maria
The essential quality, I think, of that gathering in the Cenacle, the person who enabled it to continue to hope against all the odds was the one who treasured all these things in her heart, and even when she saw no absolute encouragement to continue believe, did not despair. Fr Frederick Faber, founder of the London Oratory, in his wonderful study, “At the Foot of the Cross”, says, reflecting upon the Gospel you have just heard, that as Christ was dying on the cross, the Church was present in the heart of Mary. That’s where the Church was, in that moment. That’s how small it had become. And from the smallness of that Church, something great has come.
So my dear brothers and sisters, as we rejoice to find ourselves here, and to feel the power of the Holy Spirit breath over us, and inspire us – let us be of one heart and voice; let us be persevering in prayer; but above all, let us be, with Mary.
My Simple Choral Gradual arrived!
The demand was so high at the Colloquium that I wasn’t able to buy a Simple Choral Gradual, by Richard Rice. I ordered it and today it arrived!
It’s in! It’s gone. It’s in! It’s gone. It’s in!
The Simple English Propers is back in stock. Amazon should just order 100,000 and be done with this silliness.
Maybe it shouldn’t “sing” in the way you think?
Pointed from PrayTell, Commonweal offers the following when comparing the old and new translations of the Missal:
The current translation is simple and direct. It follows the speech patterns and rhythms of contemporary spoken English. It flows easily off the tongue. Its meaning is clear. The new translation, on the other hand, is mannered and complex. … Overall, the length of the sentences in the new translation is staggering. The longest sentence of the Eucharistic Prayers has 82 words, the second longest, 72. All but one of the sentences in Eucharistic Prayer I are more than 40 words long.
Remarkably, the writer reports all of this to make a case against the new translation, with the general claim (hyperbolic rendering follows) that Vatican II surely intended to subject the liturgy to Strunk and White standards of editing (“Use active voice”; “put statements in postive form”; “omit needless words”; “avoid a succession of loose sentences”; “keep related words together”) without seeming to realize that all of these S&W standards apply to journalism and popular writing, not sacral language.
In any case, as with the case of music, I don’t see much point in arguing about all of this; the proof will come in the hearing and the effect on worship begin in Advent. It will be a new and glorious day for the ordinary form of the Roman Rite.
One need only compare (randomly) this coming Sunday’s collect for the 14th Sunday of the Year:
OLD
Father, through the obedience of Jesus,
your servant and your Son,
you raised a fallen world.
Free us from sin
and bring us the joy that lasts forever.NEW:
O God, who in the abasement of your Son
have raised up a fallen world,
fill your faithful with holy joy,
for on those you have rescued from slavery to sin
you bestow eternal gladness.
Through our Lord Jesus Christ..
Simple question: which most sounds like Church?