Maundy Thursday in Coripe

As the Director of Religious Education was driving me to Coripe, a small village outside of Moron, to celebrate the Mass In Cena Domini, we were listening to CanalSur to what was going on in Seville. It had been raining all day long. I had been sick all day long with a stomach bug. The center of Seville and all the towns of Andalucia, which were usually thronged with people, were totally lifeless and empty. Everyone was in their houses watching www.giraldatv.es. to see what would be happening. The whole region was on edge, because they usually spend all night between Maundy Thursday and Good Friday in the madrugada, processions until dawn.

The most important of these processions was that of Cristo Gran Poder and the Macarena. Out of all of the floats and processions in Seville, this is by far the largest, longest, and most beautiful procession. The statue of the Macarena, of Our Lady of Hope, is the most beautiful image of Our Lady in the world, according to Sevillians, and she is covered by a velvet green cope whose gold embroidery was so rich you could hardly see the cloth underneath. The procession also has Roman soldiers in their distinctive battle dress uniform with enormous white plumes and the best bands and singers.

Everyone wants to see the Macarena, and so everyone was glued to radio, TV and internet. Would she leave the Basilica at 1am as she has for almost 500 years?

But in the meantime, there was another Seville tradition to be followed: the Visit to the Seven Repositories for Maundy Thursday. The repositories are called monumentos, and are decorated by the Confraternities. Not surprisingly, everyone competes to decorate the most beautiful repository. By the far the most beautiful one I saw was in Moron itself. They had constructed a terrace of wood planks, hidden by red brocade, flowers and candles in silver vases. The tabernacle was surrounded by more red brocade and silver and gold.

Don Carlos, a young priest from a neighboring parish, joined us on our visit, as we went from church to convent to monastery to chapel to say a brief prayer in front of the Blessed Sacrament and greet other worshippers who were making their visits as well. But of course, both Don Carlos and Don Pedro had every priest’s nightmare to do tomorrow: funerals. Don Carlos has a Procession from 6am to noon, a funeral at noon, the Liturgy of the Passion at three, and then another Procession at 6pm in his parish. So the priests were all looking forward to some sleep, but we were all decided to tough it out in case the Macarena was going to process in Seville.

Having visited Jesus in the repositories, we made our way back home, anxiously awaiting word if the Macarena would process. At 1am, the gave the word. No. Driving sheets of rain would make that impossible. But on the internet, we could see what was going on inside the Basilica. All of that preparation, the money spent, the hopes dashed, was way too much for many to handle. To see some of the costeleros kneeling the midst of the throngs, weeping like little children, to hear anguished cries from the brothers of the Confraternity, was not melodrama. It was profoundly moving. This year, devotion to Christ and Our Lady would have to take the form of obedience and mortification, not obeying the orders of the Precentor and extreme bodily penance, but the obedience to weather itself and an internal mortification of the will.

So I had an early night for once this week!

Help us with the introduction to the Simple English Propers

The excitement about the Simple English Propers is very intense, and we are hoping for a summer release of the hard copy, with videos to follow. The final proofing stage is where we are now.

The book will contain a tutorial on how to sing, and, in particular, some explanation of the four-line staff.

Here is our draft version of the introduction as it stands right now.

Some issues:

  • Does it provide enough explanation of propers?
  • Will a musician who reads modern notes understand chant notation from this?
  • What about a person who doesn’t read music at all? Can they get what they need from this?
  • Have we covered enough to get going singing the SEP?

It’s my own view that every chant book produced today needs this type of explanation. i don’t mind saying that I find the absence of such a tutorial in Ignatius’s Compline book to be a problem.

Some Things Old Are New Again

I’ve written several times that these days seem very much like 1965, with the attempt to provide a solemn form of a vernacular liturgy. Professor Peter Kwasniewski underscores the point by digging up three interesting Mass cards from 1959, 1965, and 1967. The Latin version is commonly used today in parishes working toward Gregorian chant. The English versions use translations nearly identical to what we will experience beginning in Advent this year. The tunes are also similar to that found in the new Missal. It’s all a matter of trying to get beyond a certain unpleasantless that will be probably enter the annals of history as a time when Catholics sort of went a bit nutty. In any case, here is the blast from the past that looks much like our future.

Chant Mass

Current and Forthcoming: Holy Thursday

COLLECT

Current
God our father,
we are gathered here to share in the supper
which your only Son left to his Church to reveal his love.
He gave it to us when he was about to die
and commanded us to celebrate it as the new and eternal sacrifice.
We pray that in this eucharist
we may find the fullness of love and life.

Forthcoming
O God, who have called us to participate
in this most sacred Supper,
in which your Only Begotten Son,
when about to hand himself over to death,
entrusted to the Church a sacrifice new for all eternity,
the banquet of his love,
grant, we pray,
that we may draw from so great a mystery,
the fullness of charity and of life.

AFTER COMMUNION

Current
Almighty God,
we receive new life
from the supper your Son gave us in this world.
May we find full contentment
in the meal we hope to share in the your eternal kingdom.

Forthcoming
Grant, almighty God,
that, just as we are renewed
by the Supper of your Son in this present age,
so we may enjoy his banquet for all eternity.

Note: In the forthcoming Missal, the use of “sacred supper,” “banquet of love,” “supper of your Son,” and the elimination of the word “meal” obviously changes the character of the message here.