Current and Forthcoming: Good Friday

PRAYER

Current
Lord, by shedding his blood for us,
your Son, Jesus Christ,
established the paschal mystery.
In your goodness, make us holy and watch over us always.

Forthcoming
Remember your mercies, O Lord,
and with your eternal protection sanctify your servants,
for whom Christ your Son,
by the shedding of his Blood,
established the Paschal Mystery.

GENERAL INTERCESSIONS

For the Church

Current
Let us pray, dear friends,
for the holy Church of God throughout the world;
that God the almighty Father
guide it and gather it together
so that we may worship him
in peace and tranquility.

Forthcoming
Let us pray, dearly beloved, for the holy Church of God,
that our God and Lord be pleased to give her peace,
to guard her and to unite her throughout the whole world
and grant that, leading our life in tranquility and quiet,
we may glorify God the Father almighty.

PRAYER OVER THE PEOPLE

Current
Lord, send down your abundant blessing
upon your people who have devoutly recalled the death of your Son
in the sure hope of the resurrection.
Grant them pardon; bring them comfort.
May their faith grow stronger
and their eternal salvation be assured.

Forthcoming
May abundant blessing, O Lord, we pray,
descend upon your people,
who have honored the Death of your Son
in the hope of their resurrection:
may pardon come,
comfort be given,
holy faith increase,
and everlasting redemption be made secure.

Notes: the offerings in the forthcoming Missal seem far richer and without adding extraneous material urging God to “watch over us” and the like. The text and music for an English version of Crux Fidelis is printed. The Crucem Tuam is recommended by name. The options for other music are far less prominent; the normative music receives top billing. There seems to be an effort to standardize and re-institutionalize the traditions of Good Friday. Final note: I’m happy to see the word “gather” purged from the General Intercessions. We’ve had just about enough of that gather thing.

A Beautiful Example of Hymnody in the Roman Rite of Mass

Palm Sunday features one of the few times when what is called a hymn is an embedded part of the ritual of Mass. The hymn is “Gloria, laus et honor tibi sit.” Ironically, in most American parishes, this is replaced by “All Glory, Laud, and Honor.” So entrenched is the vernacular hymn mania in the United States that not even the hymns in the ritual itself are used but instead are replaced by inferior substitutes. This is very sad. On the other hand, this is inspiring:

Spy Wednesday in Moron de la Frontera


I don’t normally wake up at the crack of noon, really, but what can you do when you have been running all over Andalucia catching one procession after another? So today was a relatively quiet day. The church was full all day long with the elaborate procession today in Moron de la Frontera, and the men and women (and the clergy) went back and forth between church and the bar across the street. Flowers, silver polishing, beer, candles, vestment pressing, wine.

By 6pm it was time to start the procession and the costeleros were ready to begin their arduous superhuman task of carrying the floats of Christ Suffering in the Garden of Gethsemane while the Apostles sleep and Our Lady of Loreto. I wondered how this procession would be different than the ones we have seen before. Because the Confraternity belongs to Don Pedro’s parish, the parish clergy (Don Pedro and his two American friends) had to be present in an official manner. The three of us in our cassocks and the large medal of the order suspended from a silver and blue cord were given silver bastones, walking sticks topped by an image of the Holy House of Loreto and the Monstrance of the Blessed Sacrament. At first I wondered why everyone had these big sticks. I soon would find out that, though they were beautiful, they were also practical.

Since Moron is a military town, with Spanish and American air force bases in its outskirts, the Spanish Air Force is given a place of honour in the Procession. We met the Comandante of the Air Base as well as a delightful military cadet who was a local boy. He grew up as a costelero in Moron and was coming home to see his family and hometown, who were honored to see their native son take part in the procession as a dignitary. During the procession, the clergy and the officers chatted whenever the float was called to a halt.

Some of those pauses were just to keep order and a stately pace. But there were four pauses where Our Lady of Loreto had to go and visit some of her special friends. The first time the statue and its float would be turned around was at the nursing home, as the oldtimers were wheeled to the windows so they catch a glimpse of their Madonna. The second time as at the Carmelite Monastery. As the costeleros went about the delicate business of whipping the float around, Don Pedro, Fr Luke and I ran to the grille of the convent to chat briefly with the nuns, of whom only one is Spanish; all of the others are Kenyans. We begged their holy prayers and then let them pray with the Blessed Virgin. We also paused when one of the soloists from a balcony serenaded the Virgin with his Arabic-sounding saeta, and his powerful and loud performance was greeted by enthusiastic applause. Finally, underneath one balcony, a family started to throw rose petals. The crowds stood and watched as one, then two, then three, then four and it kept on going, trash bags of rose petals were emptied over the canopy of the Blessed Virgin. I am not sure how long we stood there as this deluge of roses descended upon the float to applause, but the Verger finally had enough of waiting and with his stick banged his way through the Procession to get everyone moving.

Two hours passed as if it were nothing, but as two turned into three and then into four, as we made our way up and down the hills of Moron, I began to use the baston less as a decoration and more to support my back and legs. All the while I could see the faces of the Apostles on the float, terribly peaceful and unaware in their deep sleep that their Master and Commander was sweating blood and suffering at the thought of the Passion just a few feet away.

Perhaps Jesus’ question, Can you not watch one hour with Me? was in the back of the minds of all of those thousands of participants and spectators to encourage them never to give up. When we saw the imposing bell tower of the Church of San Miguel come closer and closer, after four hours, I was so relieved! The floats made their way into the church and I said to one of the Airmen, “Wow, that was cool, but I am really tired. Glad we made it.” He looked at me quizzically. “But, Father, we have to go back in procession as well.” There was only one procession in Moron that night, and it had to go back to Don Pedro’s church. In the Church of San Miguel, I was edified to see the Airmen steal a quick prayer in various nooks and crannies of the church before they assumed once again their formation for the trek back.

The clergy, not surprisingly, decided to leave the procession and have dinner. After a lovely meal of croquetas and gambas al ajillo, we joined up the procession again, two hours later, as it was about to enter the church again.

But, this is Spain, so the float was taller than the church door. So where is the make-it-fit button? Where was the tractor to haul in the float? The valiant men underneath, the floor, of course! As the float made its way over the threshold, the Precentor rang out orders, and rank after rank, the costeleros knelt and walked on their knees to get through the doors. 100 pounds of pressure evenly distributed on each man’s back, as they walked on their knees into the church. Another knock, and they stood, and gave one last triumphant jump in the air with the float on top of them.

For one more year, after 500 had already passed, the brothers of the Confraterity of this adorable little town had made their citizens, and surely also, their LORD, proud. Needless to say, the crowd went wild, and hugs and kisses and water bottles and bandages went all around. It was quite a feat, of strength, of perseverance, of love.

It is now 2.30 in the morning. Don Pedro wisely bought me ear plugs, because all around the church and rectory, the celebratory party will go on all night. We are still deciding whether we want to drive out to Seville and see what is going on in town. I have a feeling tomorrow I may be awaking at a way too early afternoon hour. But I am also thankful I will be in better shape than most of those men I respect I saw today.

Check out my bad photos at the Picasa Web linked in the first article, Semana Santa en Sevilla.

https://picasaweb.google.com/117938431262711129585/SemanaSantaSevilla?authkey=Gv1sRgCNXMnI3eo9a8iAE#

A Colloquium Highlight: New Music!


Composers should plan on attending the new music reading session, scheduled for Saturday afternoon, Saturday, June 18th. David J. Hughes, Organist and Choirmaster at St. Mary in Norwalk, Connecticut, will be on hand to introduce composers and their submissions, and otherwise keep things humming.

If you have a piece of music you would like to submit for possible performance by the group at large at the session, please send it to newmusic@musicasacra.com in PDF format (limited to 15 pages) by May 12, 2011. Your submission will be published in the New Music Session 2011 packet. You must be a registered participant of the Colloquium in order to have your work included. There is a $20 submission fee, payable via paypal or by check to our programs office: CMAA Programs, 166 North Gay St., #19, Auburn, AL 36830.

Holy Tuesday in Seville


Like many dioceses in the United States, the Archdiocese of Seville moves its Chrism Mass to the Tuesday of Holy Week so the priests can get together for this important annual occasion without having to rush around at the last minute thinking about the Triduum. It was the first time since I was ordained to the priesthood that I experienced the Chrism Mass outside of my own cathedral with my own Bishop and my own presbyterate. But the fraternity of the priesthood exists in every diocese and every language.

The Chrism Mass was the usual standard Chrism Mass, with the canons singing the Redemptor sume Carmen (I kept hearing Bizet in the background of my mind as we were down the street from the nicotine factory famous in the opera). But before the Mass, the entire presbyterate gathered in the Parroquia del Sagrario, the sacristy of the Cathedral which is its own parish, to hear each other’s confessions. After the Mass, we all processed singing the Hymn to St Juan de Avila to the Chapel of the Virgen de los Reyes, where St Fernando, King of Spain, is buried. The Archbishop publicly thanked all of the silver and golden anniversary priests and gave a fervorino to encourage the clergy to participate in World Youth Day.

As we enjoyed a reception in the Patio de los Naranjos, every Sevillian’s worst nightmare came true: driving rain during Holy Week. And so what could we do? No float would dare go out on a day like this. And so we went to the Ritz Hotel Alfonso XIII, a seventeenth-century royal palace festooned with handpainted azulejo tiles, for coffee and tea.

There was nothing to do other than ask my Spanish friends to accompany me to the Corte Ingles department store to buy CDs of the Sevillian Holy Week music. As we made our way back to Moron de la Frontera, we listened to the ESPN of Processions. The Bofetada Procession, of Our LORD slapped by the Roman soldiers, decided to brave it. Each confraternity has an elected Big Brother, or Gran Hermano, who makes that fateful decision. It is risky. If the floats go out under the rain, the cloths are ruined, the canopies destroyed, and the costeleros underneath the floats find it even more difficult to breathe. The Yes was given, and as soon as the Bofetada got out into the street away from the Cathedral, torrential downpours started.

As we listened on the radio to the shocked commentary of the onlookers, one phone call after another came in to our host from priests and lay friends from all over Seville, “Are you following what is going on?” with as much earnestness as the last play of the Super Bowl. Finally, after a few minutes, it became impossible. We parked on the side of the street, ran into a bar, and watched on television as the float worked its way backwards into safety.

In the meantime, Moron was having its smaller, but very similar procession of the Cross. As the nazarenos, barefoot with their pointy black hats and white robes with external hairshirt-corset looking vests of hemp, worked their silent way up the winding streets of Moron, Fr Luke retired for the night, felled by a fatiguing few days and a nasty cough. It was a reminder that, as the famous antiphon goes, In the midst of life we are in death. Good thing we priests had the great honour to renew our ordination promises in one of the largest cathedrals in Christendom and then enjoy in the excitement of the Andalucian laity who are spending all night in the church working on their floats for tomorrow.

Don Pedro got a phone call. He has a funeral tomorrow. But how do you do that when the pews have been taken out of the parish church whose nave is filled with two enormous floats. We’ll figure that out tomorrow morning.