The morning call of the rooster

One of the wonderful things about translating Latin hymns is seeing their daring use of biblical imagery.
I doubt many writers would characterize the prophetic voice as a rooster, but Jesus did, and so St. Ambrose does too.
Of course the rooster simply tells of the morning, whose Sun is the true Source of light, a light that darkness can never overcome, and Whose word is worthy of trust.
Aeterne rerum Conditor
Eternal maker of all things
Of day and night the sov’reign King,
Refreshing mortals, You arrange
The rhythm of the seasons’ change

The rooster sounds his morning cry
–Throughout the night he watched the sky–
For travelers, a guiding light
To tell the watches of the night.

The morning star that hears the cry
Dispels the darkness from the sky.
The demons, hearing the alarm
Abandon all their paths of harm.

The sailor hears and he is brave;
The sea becomes a gentle wave.
The rooster’s call reached Peter’s ears:
He washed away his sins in tears.

Our wav’ring hearts, Lord Jesus, see.
O look upon us, make us free,
For in Your gaze no fault can stay,
And sins by tears are washed away.

O Light, upon our senses shine.
Dispel our sleepiness of mind,
That we may sing Your morning praise,
Then, vows fulfilling, live our days.

Get Ready for the 2018 Summer Colloquium!

Make your plans now to join dedicated singers, directors, and conductors at Loyola University in Chicago for this year’s Colloquium, June 25th to 30th.

  • There will be a distinguished faculty. 
  • There will be beautiful Masses in the splendid Madonna della Strada chapel! 
  • Couses in chant for beginners to advanced. 
  • A choice of polyphony choirs. 
  • Plenary speakers of note.
  • Breakout sessions on topics pertinent to the musician and lover of sacred music.
  • A chance to share strategies, successes, and ideas with colleagues at meals.
  • Reasonable rates for dormitory housing (with a hotel option for those who prefer it) 
  • Theory and practice meet here in six wonderful days.
  • An opportunity to step into a wholehearted immersion in the best music of the Latin Rite.

Better than my words, watch this video:

Why am I talking about this in February?

Early registration for the Colloquium ends on March 1st.

Why register now? You’ll save money, of course!
Pay in full now for early registration and you save $50.
If you’re a member, you’ll also get your $50 member discount.
Do the math.

And of course, if you’re not a member, you should be!

Visit the Colloquium pages for all the information on courses and choirs, meal plans and lodging, registration, and more.

We look forward to seeing you in the Windy City in June 2018!

 

The Liturgical Generation Gap and “Authenticity”

The following article is reprinted from 2014.

Lately I’ve been giving a lot of thought to the fact that more formal worship styles appeal to a surprising demographic: the young. 

While many youth liturgical outreaches continue to focus on the casual and the near-secular in order to attract young people, this type of pastoral programming seems to be doing less well in many cases than those using more traditional forms. 

Not long ago I visited a parish that within a couple of years had built up a large group of young servers and a sizable youth schola for the traditional Mass–celebrated on a weekday evening. And this is hardly a unique case, just in the parishes I’ve personally visited.

There was a time, a naive time, when it seemed there was a desire among the young for an authenticity that had as its heart a certain casualness and spontaneity. In the 60s and 70s, it was the fashion to speak one’s mind, follow one’s heart, and go with the flow. 

I believe that it is likely that today’s young people are likewise interested in authenticity–but in authenticity that has a much different character. Spontaneity is wonderful, in its place. Casualness, chattiness, hanging out–these are activities as popular among young people as they have ever been. But there seems to be a growing sensibility that not every place is the same. Mass is not the place for relaxed, casual activities. The true liturgical joys can be found by going deeper, by being more quiet, and by experiencing more and richer beauty.

When I was young there was no leadership in the Church of my experience for this kind of liturgical experience, which leads to a second and more practical reason that young people are enjoying good liturgy: it is available. If a teenager would like to attend a polyphonic Mass on a given Sunday, and if s/he is willing to travel a bit, it is available. If a family has been singing chant at home and would like to join a schola to improve their skills, it is possible–not always at the local parish, but somewhere.

I sometimes wonder why there was this enormous temporal gap in leadership of the sacred liturgy. I suppose some of the reason was political, some was a misunderstanding about the aims of the Second Vatican Council, and some was a skill vacuum of a kind that we are thankfully not likely to see again soon, if all the young people now involved in liturgy continue to persevere and serve.

Two Spanish Chant Conferences – Washington DC area

In April, the United States Bishops will publish the Third Edition of the Roman Missal in Spanish. To encourage seminarians, clergy, congregations and choir directors to learn the music, the Zipoli Institute will be offering a two-day conference in Spanish Sacred Music:

Fri, Apr 27 – Seminarians and Clergy

 

Sat, Apr 28 – Congregations and Choirs

Immediately following these conferences, and a mere 10 minute drive, Archbishop Alexander Sample will be celebrating a Solemn Pontifical High Mass on April 28 in the upper church at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C.  The Paulus Institute is sponsoring this event as the 10th anniversary of Summorum Pontificum.


The Free Spirit Heresy

Studying Church history is like reading medical textbooks–one sees symptoms everywhere.

There aren’t really any new heresies. Heresy is the original recycling movement. You run into Arianism in every age, for example.

Well this really bizarre heresy came out in the late 12th century, because of the delusions of a poor fellow named Amalric, who was so wrong that even though he had taken back his heresy during his lifetime, his body was exhumed and burned after his death. This is because his whacky ideas became influential, and became even stranger in the different versions believed by his followers.

Part of the problem with his teaching was the garden-variety pantheism that some people involved in the New Age buy into. People believe that they are divine, and all creation is divine.

It’s thankfully hard to fool anyone with even a minimum of catechesis that this is true. As the 4th Lateran Council taught in its 2nd Canon, “We also reject and condemn that most perverse doctrine of the impious Amalric, whose mind the father of lies blinded to such an extent that his teaching is to be regarded as mad more than as heretical.”

As with a lot of heresies, however, the Free Spirit heresy was more pernicious when it was more “spiritual.” When put into terms that are religious–in this case, following the guidance of the Holy Spirit–all sorts of mayhem can follow.

You can see how this happens. Instead of blatantly claiming “I’m divine, so I know all,” which everyone will realize is a psychosis, what if instead I said “The Holy Spirit is inspiring me to say or do such-and-such.” In that case, I might still be appropriating infallibility to my thoughts, words, and actions, and because of the “spiritual” language, I might get away with it.

This has been a frightfully divisive issue in the Church since St. Paul wrote 1 Corinthians in response to it. As in Corinth, the late medieval variations of the Free Spirit heresy often resulted in the countenancing of licentious behavior, because, after all, each individual is a law unto him or herself. Other effects are a reaction against priests and sacraments–presumably because I can commune with God all by myself.

You can see how this plays out in daily parish life too. Musicians can be subject to this fallacy. I might think that the Holy Spirit is inspiring me to sing a certain motet at offertory, and anyone who opposes the motet is opposing the Holy Spirit. This sounds crazy but people act like this, in a lot of different ways.

It’s tricky, isn’t it, because in fact we are given the Holy Spirit with the sanctifying grace of baptism. But how do we cooperate with that gift?

I suppose this is one of the reasons that humility, obedience, and sacred Tradition are emphasized in the Catholic faith, because my own “power” and “wisdom”–to use St. Paul’s words–should be both subjected and in service to the community.

As St. Paul says in another place, “And over all these virtues put on love, which binds the rest together and makes them perfect.”

Large Crowds Drawn to Venerate St. Francis Xavier

Those who are interested in understanding what Catholicism means must be prepared to incorporate this mysterious phenomenon into their views of what moves the hearts of the people.


The crowds attracted to the relics of St. Francis Xavier are reminiscent those who flock to visit his fellow Patron of the Missions, St. Therese of Lisieux.

The right arm of St. Francis Xavier, which baptized tens of thousands, has been on tour in Canada throughout the past month.

Two Basic Requisites in an Artist

In His Holiness’ famous encyclical, Musicae sacrae disciplina, Venerable Pope Pius XII emphasized the need of two basic requisites in an artist, namely, an artist who will create true religious or sacred art. 

  • The artist must possess skill in the techniques of one’s discipline, as the very title of the document points us.  
  • The artist must have faith in God which will give him/her the interior vision needed to perceive what God’s majesty and worship demand.
Music, art and architecture form the Sacred arts with skill and Faith.

+Monsignor Richard Schuler (1920-2007) and his mighty legacy wrote prolifically on this very subject (c.f. Sacred Music, Vol 107, No 3, Fall 1980).  He said so eloquently:

“The work of art that the Church seeks will come from the trained and talented craftsman who has a vision of faith, is humble before the creativity of God in which he shares, and who has conceived in the depths of his soul a concept that he expresses in the material, but in which shines for the majesty of God.”

May our Faith and skill bring honor and glory to God, as well as holiness to mankind.