Pope Paul VI on Latin and Gregorian Chant
In present conditions, what words or melodies could replace the forms of Catholic devotion which you have used until now? You should reflect and carefully consider whether things would not be worse, should this fine inheritance be discarded. It is to be feared that the choral office would turn into a mere bland recitation, suffering from poverty and begetting weariness, as you yourselves would perhaps be the first to experience. One can also wonder whether men would come in such numbers to your churches in quest of the sacred prayer, if its ancient and native tongue, joined to a chant full of grave beauty, resounded no more within your walls. We therefore ask all those to whom it pertains, to ponder what they wish to give up, and not to let that spring run dry from which, until the present, they have themselves drunk deep.
Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world. Moreover, those prayers, with their antiquity, their excellence, their noble majesty, will continue to draw to you young men and women, called to the inheritance of our Lord. On the other hand, that choir from which is removed this language of wondrous spiritual power, transcending the boundaries of the nations, and from which is removed this melody proceeding from the inmost sanctuary of the soul, where faith dwells and charity burns – We speak of Gregorian chant – such a choir will be like to a snuffed candle, which gives light no more, no more attracts the eyes and minds of men.
Apostolic Letter Sacrificium Laudis
1966
Sanctus III: Sights and Sounds from the Colloquium
“Banished Repertoire: Sequences”
Dr Jennifer Donelson’s presentation, during a break-out session, was, as one would expect from her, enlightening, thought provoking and, well… just plain fun.
She is a delightful and engaging teacher.
I was not the only one charmed by the sequence for St Nicholas’ feast day, (“…Who, whilst in his cradle lying, by observing duly fast/ Heavenly joys began to merit even at his mother’s breast.”* Who would NOT be?!!?? Imagine it, no, thanks Mom, it’s Lent, ya know, as he gently nudges away the proffered nourishment…)
But I was also not the only one disappointed that his rumoured pasting of Arius at the council of Nicea was not mentioned in the lyric, so I offer my humble contribution to the literature. (The meter, I’ve chosen, 10 10 11, is not one I associate with any tune I’ve ever heard, but the meter of the translation in the hand-out seemed to vary quite widely, so forgive me…)
Champion of orthodoxy, vying,
‘Gainst those foes, who, Christ’s Godhead denying,
Boldly, blindly followed errant Arius.
Nicholas in council was defending
Truth, with many heretics contending,
Landing blows with his fists and words, various.
*Digby S Wrangham’s englishing of the sequence.
Colloquium Vlog – Day 2
The second full day of the Colloquium is complete, and things are going well! Want to see what we did? Check out my vlog for today!
Date and Location Announced for the 2016 Colloquium
This weekend, as part of the Colloquium, the annual CMAA member meeting in Pittsburgh and it was announced that the next colloquium will be at St. Louis, MO – June 20 – June 25, 2016. Mark your calendars!
Some Sounds and Sights from the Colloquium
Lord, Make Me to Know Thy Ways by Byrd, directed by Horst Buchholz